Readings

• Writings by Aby Warburg
• Selected readings about Warburg
• Readings by panel

Writings by Aby Warburg

• Warburg, Aby M. “The Absorption of the Expressive Values of the Past.” Trans. Matthew Rampley. Art In Translation 1.2 (July 2009): 273-283 [A translation of Warburg’s “Einleitung” (Introduction) to the Mnemosyne Atlas].
• -—-. Bilder aus dem Gebiet der Pueblo-Indianer in Nord-Amerika: Vorträge und Fotografien. Ed. Uwe Fleckner. Gesammelte Schriften, III.2. Berlin: De Gruyter, 2018.
• -—-. Der Bilderatlas: Mnemosyne. Gesammelte Schriften II.1. Ed. Martin Warnke with Claudia Brink. Berlin: Akademie Verlag, 2008.
• -—-. Bilderreihen und Ausstellungen. Ed. Uwe Fleckner and Isabella Woldt. Gesammelte Schriften II.2. Berlin: Akademie Verlag, 2012.
• -—-. Bildersammlung zur Geschichte von Sternglaube und Sternkunde im Hamburger Planetarium. Ed. Uwe Fleckner, et al. Hamburg: Dölling und Galitz Verlag, 1993.
• -—-. Briefe. Ed. Michael Diers and Steffen Haug. Gesammelte Schriften, V. Berlin: De Gruyter 2019.
• -—-. Die Erneuerung der heidnischen Antike. Gesammelte Schriften I.1-2. Ed. Horst Bredekamp, et al. Berlin: Akademie Verlag, 1998.
• -—-. “From the Arsenal to the Laboratory.” Trans. Christopher D. Johnson. Ed. Claudia Wedepohl, West 86th 19.1 (Spring-Summer 2012): 106-124.
• -—-. Images from the Region of the Pueblo Indians of North America. Trans. Michael P. Steinberg. Ithaca: Cornell University Press, 1995.
• -—-. Mnemosyne-Bilderatlas. Begleitmaterial zur Ausstellung “Aby M. Warburg. Mnemosyne”, Hamburg, Kunsthaus, 1.6. - 15.7.1994. Ed. Marianne Koos, et al. Hamburg: Dölling und Galitz, 1994.
• -—-. Nachhall der Antike. Zwei Untersuchungen. Ed. Pablo Schneider. Zürich: diaphanes, 2012.
• -—-. “Per Monstra ad Sphaeram”: Sternglaube und Bilddeutung. Vortrag in Gedenken an Franz Boll und andere Schriften 1923 bis 1925. Ed. Davide Stimilli with Claudia Wedepohl. Munich and Hamburg: Dölling und Galitz, 2008.
• -—-. Photographs at the Frontier: Aby Warburg in America, 1895-1896. Ed. Benedetta Cestelli Guidi, Nicholas Mann, and Armin W. Geertz. London: Merrell Holberton in association with the Warburg Institute, 1998.
• -—-. The Renewal of Pagan Antiquity: Contributions to the Cultural History of the Renaissance (PDF). Trans. David Britt, with introduction by Kurt W. Foster. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.
• -—-. Schlangenritual. Ein Reisebericht. Ed. Ulrich Raulff. Berlin: Klaus Wagenbach, 1988.
• -—-. “Symbolismus aufgefaßt als primäre Umfangsbestimmung.” Symbol: Grundlagentexte aus Ästhetik, Poetik und Kulturwissenschaft. Ed. Frauke Berndt and Heinz J. Drügh. Frankfurt am Main: Suhrkamp, 2009. 75-91.
• -—-. Tagebuch der Kulturwissenschaftlichen Bibliothek Warburg mit Einträgen von Gertrud Bing und Fritz Saxl. Gesammelte Schriften VII. Ed. Karen Michels and Charlotte Schoell-Glass. Berlin: Akademie Verlag, 2001.
• -—-. “Wanderstraßen der Kultur”: Die Aby Warburg-Fritz Saxl Korrespondenz 1920 bis 1929. Ed. Dorothea McEwan. Munich-Hamburg: Dölling und Galitz, 2004.
• -—-. Werke in einem Bande. Ed. Martin Treml, Sigrid Weigel and Perdita Ladwig. Frankfurt-am-Main: Suhrkamp, 2010.
• -—- and Fritz Saxl. Ausreiten der Ecken. Die Aby Warburg - Fritz Saxl Korrespondenz 1910 bis 1919. Ed. Dorothea McEwan. Hamburg: Dölling und Galitz Verlag, 1998.

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Selected readings about Warburg

• Agamben, Giorgio. “Aby Warburg and the Nameless Science.” Potentialities: Collected Essays in Philosophy. Trans. Daniel Heller-Roazen. Stanford: Stanford University Press, 1999. 89-103.
• Benjamin, Andrew. “Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin.” Aisthesis 10.1 (2017): 21–40.
• Beyer, Andreas et al. (eds.). Bilderfahrzeuge. Aby Warburgs Vermächtnis und die Zukunft der Ikonologie. Berlin: Klaus Wagenbach 2018.
• Biester, Björn. Aby Warburg - Bibliographie 2006 bis 2019.
• Bing, Gertrud. “A. M. Warburg.” Journal of the Warburg and Courtauld Institutes 28 (1965): 299-313.
• Bredekamp, Horst. Aby Warburg, der Indianer. Berliner Erkundungen einer liberalen Ethnologie. Berlin: Klaus Wagenbach 2019.
• Costa, Maria Teresa. “Aby Warburg’s Literal and Intermedial Self-Translation.” Migrating Histories of Art. Self-Translations of a Discipline. Ed. Maria Teresa Costa and Hans Christian Hönes. Berlin and Boston: De Gruyter 2019. 59–76.
• Didi-Huberman, Georges. L’Image survivante: Histoire de l’art et temps des fantômes selon Aby Warburg. Paris: Les Éditions de Minuit, 2002.
• Didi-Huberman, Georges. The Surviving Image. Phantoms of Time and Time of Phantoms: Aby Warburg’s History of Art. Trans. Harvey Mendelsohn. University Park: Penn State University Press, 2018.
• Diers, Michael. “Warburg and the Warburgian Tradition of Cultural History.” New German Critique 65 (1995): 59-73.
• Ekardt, Philipp. “Certain Wonderful Gestures: Warburg, Lessing and the Transitory in Images.” Culture, Theory and Critique 57 (2016): 66–175.
• Ferretti, Silvia. Cassirer, Panofsky, and Warburg: Symbol, Art, and History. Trans. Richard Pierce. New Haven: Yale University Press, 1989.
• Finch, Mick and Martin Westwood, guest eds. Philosophy of Photography 8.1-2 (2017). Special Double-Issue: “The Warburg Haus: Apparatus, Inscription, Data, Speculation.”
• Forster, Kurt. Aby Warburgs Kulturwissenschaft. Ein Blick in die Abgründe der Bilder. Berlin: Matthes & Seitz, 2018.
• Freedberg, David. “Warburg’s Masks: A Study of Idolatry.” Anthropologies of Art. Ed. Mariët Westermann. Williamstown, MA: Sterling and Francine Clark Art Institute in association with Yale University Press, 2005; pp. 3-25.
• Gombrich, E. H. Aby Warburg: An Intellectual Biography. 2nd ed. Chicago: University of Chicago Press, 1986.
• Hanssen, Beatrice. “Portrait of Melancholy (Benjamin, Warburg, Panofsky).” Benjamin’s Ghosts: Interventions in Contemporary Literary and Cultural Theory. Ed. Gerhard Richter. Stanford: Stanford University Press, 2002. 169-188.
• Iverson, Margaret. “Retrieving Warburg’s Tradition.” Art History 16.4 (1993): 541-553.
• Johnson, Christopher D. Memory, Metaphor, and Aby Warburg’s Atlas of Images. Ithaca: Cornell University Library and Cornell University Press, 2012.
• -—-. “Warburg, Aby.” Encyclopedia of Renaissance Philosophy. Ed. Marco Sgarbi. Heidelberg: Springer, 2019.
• Mann, Nicholas. “Denkenergetische Inversion: Aby Warburg and Giordano Bruno.” Publications of the English Goethe Society 82 (2003): 25-37.
• Marshall, David L. “A Thousand Warburgs.” Journal of the History of Ideas 78 (2017): 645–664.
• -—-. “Warburgian Maxims for Visual Rhetoric.” Rhetoric Society Quarterly 48 (2018): 1–28
• Mazzucco, Katia. “The Work of Ernst H. Gombrich on the Aby M. Warburg Fragments.” Journal of Art Historiography 5 (2011): 5-KM/1.
• Michaud, Phillipe-Alain. Aby Warburg and the Image in Motion. Trans. Sophie Hawkes. New York: Zone Books, 2004.
• Newman, Jane O. Benjamin’s Library: Modernity, Nation, and the Baroque. Ithaca: Cornell University Library and Cornell University Press, 2011.
• Papapetros, Spyros. On the Animation of the Inorganic: Art, Architecture, and the Extension of Life. Chicago: University of Chicago Press, 2012.
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• Rampley, Matthew. “From Symbol to Allegory: Aby Warburg’s Theory of Art.” The Art Bulletin 79.1 (1997): 41-55.
• -—-. The Remembrance of Things Past: On Aby M. Warburg and Walter Benjamin. Wiesbaden: Harrassowitz, 2000.
• Russell, Mark A. Between Tradition and Modernity: Aby Warburg and the Public Purposes of Art in Hamburg, 1896-1918. New York: Berghahn, 2007.
• Schoell-Glass, Charlotte. “The Last Plates of Warburg’s Picture Atlas Mnemosyne.” Art History as Cultural History: Warburg’s Projects. Ed. Richard Woodfield. Amsterdam: OPA, 2001. 183-208.
• -—-. Aby Warburg and Anti-Semitism: Political Perspectives on Images and Culture. Trans. S. P. Willcocks. Detroit: Wayne State University Press, 2008.
• Stimilli, Davide. “Aby Warburg in America Again: With an Edition of His Unpublished Correspondence with Edwin R. A. Seligman (1927-1928).” RES: Anthropology and Aesthetics 48 (Autumn 2005): 193-206.
• “Survivance d’Aby Warburg.” Images re-vues: histoire, anthropologie et théorie de l’art. Hors-série 4 (2013).
• “The Warburg Institute: A Special Issue on the Library and Its Readers.” Common Knowledge 18.1 (Winter 2012). Includes articles by Anthony Grafton, Jeffrey Hamburger, Peter Mack, Michael Baxandall, Elizabeth Sears, Georges Didi-Huberman, Joseph Leo Koerner, Christopher Wood, Jill Kraye, Michael P. Steinberg, and Thomas DaCosta Kaufmann.
• Wedepohl, Claudia. Wedepohl, Claudia. “Aby Warburg.” Oxford Bibliographies in Art History (2016)
• -—. “‘Wort und Bild’: Aby Warburg als Sprachbildner.” Ekstatische Kunst - Besonnenes Wort: Aby Warburg und die Denkräume der Ekphrasis. Ed. Peter Kofler. Bozen: Sturzflüge, 2009. 23-46.
• -—. “Ideengeographie: Ein Versuch zu Aby Warburgs ‘Wanderstraßen der Kultur.’” Ent-grenzte Räume: Kulturelle Transfers um 1900 und in der Gegenwart. Ed. Helga Mitterbauer and Katharina Scherke. Vienna: Passagen, 2005. 227-254.
• Weigel, Sigrid. “Aby Warburg’s Schlangenritual: Reading Culture and Reading Written Texts.” New German Critique 65 (1995): 133-153.
• Wind, Edgar. “Warburg’s Concept of Kulturwissenschaft and its Meaning for Aesthetics” and “On a Recent Biography of Warburg.” The Eloquence of Symbols: Studies in Humanist Art by Edgar Wind. Ed. Jaynie Anderson. Rev. ed. Oxford: Clarendon, 1993. 21-36; 106-114.

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Readings by panel

• Panel B
• Panel C
• Panel 8
• Panel 45
• Panel 46
• Panel 47
• Panel 48
• Panel 61-64
• Panel 70
• Panel 79

Panel B

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• Agrippa, Cornelius. De occulta philosophia libri tres, ed. Vittoria Perrone Compagni (Leiden and Boston: Brill, 1992).
• Boll, Franz. Sternglaube und Sterndeutung: die Geschichte und das Wesen der Astrologie, 6th ed. (Darmstadt: Wissenschaftliche Buchgesellschaft, 1974).
• Fehrenbach, Frank and Cornelia Zumbusch (eds.). Aby Warburg und die Natur. Epistemik, Ästhetik, Kulturtheorie. Berlin: De Gruyter, 2019.
• Imbert, Claude. “Aby Warburg, between Kant and Boas: from Aesthetics to the Anthropology of Images.” Trans. Nima Bassiri and Michael Allan. Qui Parle 16.1 (summer 2006): 1-45.
• Johnson, Christopher D. Memory, Metaphor, and Aby Warburg’s Atlas of Images. Ithaca: Cornell University Library and Cornell University Press, 2012.
• Mazzucco, Katia. “The Work of Ernst H. Gombrich on the Aby M. Warburg Fragments.” Journal of Art Historiography 5 (December 2011).
• Panofsky, Erwin. “The History of the Theory of Human Proportions as a Reflection of the History of Styles.” Meaning in the Visual Arts by Panofsky. Chicago: University of Chicago Press, 1983. 55-107 (originally published as “Die Entwicklung der Proportionslehre als Abbild der Stilentwicklung,” Monatshefte für Kunstwissenschaft 14 [1921]: 188-219).
• Papapetros, Spyros. On the Animation of the Inorganic: Art, Architecture, and the Extension of Life. Chicago: University of Chicago Press, 2012.
• Reitzenstein, Richard and H. H. Schaeder. Studien zum Antiken Synkretismus aus Iran und Griechenland. Wiesbaden: Springer, 1926.
• Saxl, Fritz. “Microcosm and Macrocosm.” Lectures. Vol. 1. London: Warburg Institute, 1957. 58-72.
• Warburg, Aby. “Pagan-Antique Prophecy in Words and Images in the Age of Luther” (1920) and “Astrology under Oriental Influence” (1926). The Renewal of Pagan Antiquity: Contributions to the Cultural History of the Renaissance. Ed. Kurt W. Forster. Trans. David Britt. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999. 597-698, 699-702.
• -–-–. “Schicksalsmächte im Spiegel antikisierender Symbolik” (1924). “Per Monstra ad Sphaeram”: Sternglaube und Bilddeutung. Vortrag in Gedenken an Franz Boll und andere Schriften 1923 bis 1925. Ed. Davide Stimilli with Claudia Wedepohl. Munich and Hamburg: Dölling und Galitz, 2008. 41-50.
• -—-. Schlangenritual. Ein Reisebericht. Ed. Ulrich Raulff. Berlin: Klaus Wagenbach, 1988. Published in English as Images from the Region of the Pueblo Indians of North America, trans. Michael P. Steinberg (Ithaca: Cornell University Press, 1995).
• Wittkower, Rudolf. Architectural Principles in the Age of Humanism. London: Warburg Institute, University of London, 1949.

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Panel C

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• Bredekamp, Horst. “A Neglected Tradition? Art History as Bildwissenschaft.” Critical Inquiry 29.3 (Spring 2003): 418-28.
• Cassirer, Ernst. The Individual and the Cosmos in Renaissance Philosophy. Trans. Mario Domandi. Chicago: University of Chicago Press, 2010.
• Daston, Lorraine and Peter Galison. Objectivity. New York: Zone, 2010.
• Field, J. V. Kepler’s Geometrical Cosmology. Chicago: University of Chicago Press, 1988.
• Gingerich, Owen. “Kepler, Johannes.” Dictionary of Scientific Biography VII. Ed. Charles Coulston Gillispie. New York: Scribner, 1973.
• Warburg, Aby. “Astrology under Oriental Influence” (1926). The Renewal of Pagan Antiquity: Contributions to the Cultural History of the Renaissance. Ed. Kurt W. Forster. Trans. David Britt. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999. 699-702.
• -–-–. “Airship and Submarine in the Medieval Imagination” (1913) and “Pagan-Antique Prophecy in Words and Images in the Age of Luther” (1920). The Renewal of Pagan Antiquity: Contributions to the Cultural History of the Renaissance. Ed. Kurt W. Forster. Trans. David Britt. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999. 333-38, 597-698.
• -–-–. “Die Einwirkung der Sphaera barbarica auf die kosmischen Orientierungsversuche des Abendlandes” (1925) and “Bildersammlung zur Geschichte von Sternglaube und Sternkunde” (1930-1941). Bilderreihen und Ausstellungen. Ed. Uwe Fleckner and Isabella Woldt. Gesammelte Schriften II.2. Berlin: Akademie, 2012. 19-55; 389-460.

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Panel 8

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• Alvar, Jaime. Romanising Oriental Gods: Myth, Salvation and Ethics in the Cults of Cybele, Isis and Mithras. Ed. and trans. Richard Gordon. Leiden: Brill, 2008.
• Beck, Roger. The Religion of the Mithras Cult in the Roman Empire: Mysteries of the Unconquered Sun. Oxford: Oxford University Press, 2007.
• Clauss, Manfred. The Roman Cult of Mithras: The God and His Mysteries. Edinburgh: Edinburgh University Press, 2000.
• Cumont, Franz. The Mysteries of Mithra. Trans. Thomas J. McCormack. Chicago: Open Court, 1903.
• -–-–. Textes et monuments figures relatifs aux Mystères de Mithra. Brussels: Lamertin, 1896-99.
• Gordon, Richard. Image and Value in the Graeco-Roman World: Studies in Mithraism and Religious Art (Brookfield, VT: Variorum, 1996).
• Johnson, Christopher D. Memory, Metaphor, and Aby Warburg’s Atlas of Images. Ithaca: Cornell University Library and Cornell University Press, 2012. 194-229.
• Jones, H. Stuart. The Sculptures of the Museo Capitolino. Oxford: Clarendon, 1912.
• Mann, Nicholas. “Denkenergetische Inversion: Aby Warburg and Giordano Bruno.” Publications of the English Goethe Society 82 (2003): 25-37.
• Vermaseren, M. J.  Corpus inscriptionum et monumentorum religionis Mithriacae. The Hague: Nijhoff, 1956-60.
• -–-–. The Mithraeum at S. Maria Capua Vetere. Leiden: Brill, 1971.
• Warburg, Aby. “Die Einwirkung der Sphaera barbarica auf die kosmischen Orientierungsversuche des Abendlandes” (1925) and “Bildersammlung zur Geschichte von Sternglaube und Sternkunde” (1930-1941). Bilderreihen und Ausstellungen. Ed. Uwe Fleckner and Isabella Woldt. Gesammelte Schriften II.2. Berlin: Akademie, 2012. 19-55, 389-460.
• -–-–. Giordano Bruno [WIA, III.121.1.1]. Ed. Maurizio Ghelardi and Giovanna Targia, Cassirer Studies 1 (2008): 13-58.

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Panel 45

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• Agamben, Giorgio “What is a Paradigm?” The Signature of All Things: On Method. Trans. Luca D’Isanto. New York: Zone, 2009. 9-32.
• -–-–. Nymphs. Trans. Amanda Minervini. Kolkata: Seagull, 2013.
• Cadogan, Jeanne K. Domenico Ghirlandaio: Artist and Artisan. New Haven: Yale University Press, 2000.
• Didi-Huberman, Georges. L’Image survivante: Histoire de l’art et temps des fantômes selon Aby Warburg. Paris: Les Éditions de Minuit, 2002.
• Hönes, Hans Christian. “Warburg’s Positivism: Confessions of a Truffle Pig.” Oxford Art Journal 41 (2018): 361–379.
• Kecks, Ronald G. Domenico Ghirlandaio und die Malerei der Florentiner Renaissance. Munich: Deutscher Kunstverlag, 2000.
• Warburg, Aby. “The Art of Portraiture and the Florentine Bourgeoisie” (1902) and “Francesco Sassetti’s Last Injunction to His Sons” (1907). The Renewal of Pagan Antiquity: Contributions to the Cultural History of the Renaissance. Ed. Kurt W. Forster. Trans. David Britt. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999. 185-222; 223-62.
• -–-–. “Römische Antike in der Werkstatt des Domenico Ghirlandaio” (1929, Hertziana lecture). Bilderreihen und Ausstellungen. Ed. Uwe Fleckner and Isabella Woldt. Gesammelte Schriften II.2. Berlin: Akademie, 2012. 303-65.

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Panel 46

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• Agamben, Giorgio. Nymphs. Trans. Amanda Minervini. Kolkata: Seagull, 2013.
• Benveniste, Émile. “Gift and Exchange in the Indo-European Vocabulary” (1948-1949). The Logic of the Gift. Toward an Ethic of Generosity. Ed.  Alan D. Schrift. New York: Routledge, 1997. 33-42.
• Cadogan, Jeanne K. Domenico Ghirlandaio: Artist and Artisan. New Haven: Yale University Press, 2000.
• Calasso, Roberto. “La folie qui vient des Nymphes.” Trans. Jean-Paul Manganaro. Res: Anthropology and Aesthetics 26 (1994): 125-133.
• Contarini, Silvia and Maurizio Ghelardi. “’Die verkörperte Bewegung’: la ninfa.” Aut Aut 321-322 (2004): 32-45.
• Dempsey, Charles. The Portrayal of Love: Botticelli’s ‘Primavera’ and Humanist Culture at the Time of Lorenzo the Magnificent. Princeton: Princeton University Press, 1992.
• Didi-Huberman, Georges. Ninfa Moderna. Essai, sur le drapé tombé. Paris: Gallimard, 2002.
• Gombrich, E. H. “Fragment of the Nympha.” Aby Warburg: An Intellectual Biography. 2nd ed. Chicago: University of Chicago Press, 1986. 105-127.
• Hildebrand, Adolf. “The Problem of Form in the Fine Arts” (1893). Empathy, Form and Space. Problems in German Aesthetics 1873-1893. Ed. and trans. Harry F. Mallgrave and Eleftherios Ikonomou. Santa Monica: The Getty Center for the History of Art and the Humanities, 1994. 227-279.
• Huber, Gabriele. “Warburgs Ninfa, Freuds Gradiva und ihre Metamorphose bei Masson.” Denkräume zwischen Kunst und Wissenschaft. Ed. Silvia Baumgart and Gesa Birkle. Berlin: Dietrich Reimer Verlag, 1993. 443-460.
• Mauss, Marcel. “Gift, Gift” (1924). The Logic of the Gift: Toward an Ethic of Generosity. Ed.  Alan D. Schrift. New York: Routledge, 1997. 28-32.
• Mazzucco, Katia. “On the Reverse. Some Notes on Photographic Images from the Warburg Institute Photographic Collection.” Aisthesis 5.2 (2012): 217-232 (esp. § 5: “Rhetoric of disposal. Tilted Ninfa”: 228-230).
• Michaud, Phillipe-Alain. Aby Warburg and the Image in Motion. Trans. Sophie Hawkes. New York: Zone, 2004.
• Kecks, Ronald G. Domenico Ghirlandaio und die Malerei der Florentiner Renaissance. Munich: Deutscher Kunstverlag, 2000.
• Papapetros, Spyros. “Aby Warburg as Reader of Gottfried Semper: Reflections on the Cosmic Character of Ornament.” Elective Affinities. Testing Word and Image Relationships. Ed. Catriona MacLeod, Véronique Plesch and Charlotte Schoell-Glass. Amsterdam/New York: Rodopi, 2009. 317-355.
• Pinotti, Andrea. “Chi ha paura dello pseudomorfo?” Rivista di estetica 62 (2016): 81–98.
• -–-–. “Soggetti della storia, soggetti alla storia. Warburg, le immagini, la tradizione.” Visual History. Rivista internazionale di storia e critica dell’immagine 2 (2016): 141–146.
• Semper, Gottfried. “Über die formelle Gesetzmäßigkeit des Schmuckes und dessen Bedeutung als Kunstsymbol.” Monatsschrift des wissenschaftlichen Vereins in Zürich 1 (1856): 101-130.
• Tornabuoni, Lucrezia. Sacred Narratives. Ed. and trans. Jane Tylus. University of Chicago Press, 2001.
• Vischer, Robert. “On the Optical Sense of Form: A Contribution to Aesthetics” (1873). Empathy, Form and Space. Problems in German Aesthetics 1873-1893. Ed. and trans. Harry F. Mallgrave and Eleftherios Ikonomou. Santa Monica: The Getty Center for the History of Art and the Humanities, 1994. 89-123.
• Warburg, Aby. “The Entry of the Idealising Classical Style in the Painting of the Early Renaissance” (1914). Trans. Matthew Rampley. Art History as Cultural History: Warburg’s Projects. Ed. Richard Woodfield. Amsterdam: OPA, 2001. 7-31.
• -–-–. “Ninfa fiorentina” (1900). Werke in einem Band. By Aby Warburg. Ed. Martin Treml, Sigrid Weigel and Perdita Ladwig. Frankfurt-am-Main: Suhrkamp, 2010. 198-210.
• -–-–. “Sandro Botticelli’s Venus and The Birth of Spring” (1893); “The Art of Portraiture and the Florentine Bourgeoisie” (1902); and “Francesco Sassetti’s Last Injunction to His Sons” (1907). The Renewal of Pagan Antiquity: Contributions to the Cultural History of the Renaissance. Ed. Kurt W. Forster. Trans. David Britt. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999. 89-156; 185-222; 223-62.
• -–-–. “Römische Antike in der Werkstatt des Domenico Ghirlandaio” (1929, Hertziana lecture), Bilderreihen und Ausstellungen. Ed. Uwe Fleckner and Isabella Woldt. Gesammelte Schriften II.2. Berlin: Akademie, 2012. 303-65.
• Weigel, Sigrid. “Aby Warburgs ‘Göttin im Exil’. Das ‘Nymphenfragment’ zwischen Brief und Taxonomie, gelesen mit Heinrich Heine. Vorträge aus dem Warburg-Haus 4 (2000): 65-103.
• Wind, Edgar. Pagan Mysteries in the Renaissance. New Haven: Yale University Press, 1958.

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Panel 47

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• Baert, Barbara. “Aby Warburgs Nymphen und Schmetterlinge als Affekte.” _Ars – Visus – Affectus. Visuelle Kulturen des Affektiven in der Frühen Neuzeit. _ Ed. Anna Pawlak, Lars Zieke and Isabella Augart. Berlin and Boston: De Gruyter, 2016. 18–37.
• Bauerle, Dorothée. Gespenstergeschichten für ganz Erwachsene. Ein Kommentar zu Aby Warburgs Bilderatlas Mnemosyne. Münster: Lit Verlag, 1988.
• Didi-Huberman, Georges. Ninfa dolorosa. Essai sur la mémoire d’un geste. Paris: Gallimard, 2019.
• Pope-Hennessy, John. Donatello: Sculptor (New York: Abbeville Press, 1993).
• Impett, Leonardo and Franco Moretti. “Totentanz: Operationalizing Aby Warburg’s Pathosformeln.” New Left Review 107 (2017): 68–97
• E. H. Gombrich, “Tobias and the angel,” in Symbolic images: studies in the art of the Renaissance. Phaidon: London, 1972. 26-30.
• Volker Krahn, Bartolomeo Bellano: Studien zur Paduaner Plastik des Quattrocento. scaneg: Munich, 1988. 150-152.
• Warburg, Aby. “The art of portraiture and the Florentine bourgeoisie” and “Francesco Sassetti’s last injunctions to his son.” Trans. David Britt. The Renewal of Pagan Antiquity. Los Angeles: The Getty Research Institute, 1999. 184-262.
• -–-–. Per monstram ad sphaeram: Sternglaube und Bilddeutung. Ed. Davide Stimilli. Dölling und Galitz Verlag: Munich, 2008.

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Panel 48

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• Doren, Alfred. “Fortuna im Mittelalter und in der Renaissance.” Vorträge der Bibliothek Warburg. Ed. Fritz Saxl. Vol. 2: Vorträge 1922-1923. 71-144.
• “Fortuna nel Rinascimento. Una lettura di tavola 48 del Bilderatlas Mnemosyne.” Engramma 107 (June 2013).
• Goldschmidt, Ernst Philip. The Printed Book of the Renaissance: Three Lectures on Type, Illustration, Ornament. Cambridge: Cambridge University Press, 1950.
• Pollard, Alfred W. Early Illustrated Books: A History of Decoration and Illustration of Books in 15th and 16th Centuries. New York: Dutton, 1917.
• Rampley, Matthew. “From Symbol to Allegory: Aby Warburg’s Theory of Art.” The Art Bulletin 79.1 (1997): 41-55.
• Reichert, Klaus. Fortuna oder die Beständigkeit des Wechsels. Frankfurt/Main: Suhrkamp 1985.
• Ripa, Cesare. Iconologia. Siena, 1613.
• Saxl, Fritz. “Holbein’s Illustrations to the Praise of Folly by Erasmus.” The Burlington Magazine for Connoisseurs 83.488 (1943): 274-279.
• Stimilli, Davide.  “Einleitung.” Aby M. Warburg, “Per Monstra ad Sphaeram”: Sternglaube und Bilddeutung. Vortrag in Gedenken an Franz Boll und andere Schriften 1923 bis 1925. Ed. Davide Stimilli with Claudia Wedepohl. Munich and Hamburg: Dölling und Galitz, 2008. 6-28.
• Warburg, Aby. “Dürer and Italian Antiquity” (1905). The Renewal of Pagan Antiquity: Contributions to the Cultural History of the Renaissance. Ed. Kurt W. Forster. Trans. David Britt. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999. 553-58.

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Panel 61-64

View Panel 61-64

• Bauerle, Dorothée. Gespenstergeschichten für ganz Erwachsene. Ein Kommentar zu Aby Warburgs Bilderatlas Mnemosyne (Münster: Lit Verlag, 1988).
• Putnam, Michael C. J. Virgil’s Epic Designs: Ekphrasis in the Aeneid. New Haven: Yale University Press, 1998.
• Virgil, Eclogues. Georgics. Aeneid I-VI. Aeneid VII-XII. Appendix Vergiliana. 2 vols. Trans. H. Rushton Fairclough. Rev. G.P. Goold. Loeb Classical Library 63 and 64 (Cambridge: Harvard University Press, 1999-2000).
• Warburg, Aby. “Die Funktion der nachlebenden Antike bei der Ausprägung energetischer Symbolik” (1927). Bilderreihen und Ausstellungen. Ed. Uwe Fleckner and Isabella Woldt. Gesammelte Schriften II.2. Berlin: Akademie, 2012. 115-33.

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Panel 70

View Panel 70

• Charlotte Schoell-Glass. Berlin: Akademie, 2001. 17; 417.
• Gombrich, E. H. Aby Warburg: An Intellectual Biography. 2nd ed. Chicago: University of Chicago Press, 1986. 228-37.
• Leuschner, Eckhard. Antonio Tempesta: ein Bahnbrecher des römischen Barock und seine europäische Wirkung. Petersberg: Imhof, 2005.
• Meijer, Reinder P. Literature of the Low Countries. A Short History of Dutch Literature in the Netherlands and Belgium. The Hague and Boston: Nijhoff, 1978.
• Panofsky, Erwin. Early Netherlandish Painting. 2 vols. New York: Harper & Row, 1987.
• Warburg, Aby. “Schicksalsmächte im Spiegel antikisierender Symbolik” (1924). “Per Monstra ad Sphaeram”: Sternglaube und Bilddeutung. Vortrag in Gedenken an Franz Boll und andere Schriften 1923 bis 1925. Ed. Davide Stimilli with Claudia Wedepohl. Munich and Hamburg: Dölling und Galitz, 2008. 41-50.
• -–-–. Tagebuch der Kulturwissenschaftlichen Bibliothek Warburg mit Einträgen von Gertrud Bing und Fritz Saxl. Gesammelte Schriften VII. Ed. Karen Michels and

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Panel 79

View Panel 79

• Angel, Sara. “The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg’s Oeuvre as a Distributed Object.” Leonardo 44.3 (2011): 266-267.
• Buchloh, Benjamin. “‘Atlas’: The Anomic Archive.” October 88 (Spring 1999): 117-145.
• Cassirer, Ernst. “Nachruf auf Aby Warburg.” Aufsätze und Kleine Schriften (1927-1931). Ed. Tobias Berben. Gesammelte Werke. Hamburger Ausgabe 17 by Ernst Cassirer. Ed. Birgit Recki. Hamburg: Meiner, 2004.
• Michaud, Phillipe-Alain. Aby Warburg and the Image in Motion. Trans. Sophie Hawkes. New York: Zone, 2004.
• Momigliano, Arnaldo. On Pagans, Jews, and Christians. Middletown, CT: Wesleyan University Press, 1987.
• Newbigin, Nerida. “Dieci rappresentazioni sacre inedite del Quattro e Cinquecento,” Letteratura italiana antica 10 (2009): 21–397, esp. 74–97.
• Schoell-Glass, Charlotte. Aby Warburg and Anti-Semitism: Political Perspectives on Images and Culture. Trans. S. P. Willcocks. Detroit: Wayne State University Press, 2008.
• -–-–. “The Last Plates of Warburg’s Picture Atlas Mnemosyne.” Art History as Cultural History: Warburg’s Projects. Ed. Richard Woodfield. Amsterdam: OPA, 2001. 183-208.
• Warburg, Aby. Tagebuch der Kulturwissenschaftlichen Bibliothek Warburg mit Einträgen von Gertrud Bing und Fritz Saxl. Gesammelte Schriften VII. Ed. Karen Michels and Charlotte Schoell-Glass. Berlin: Akademie, 2001. 392; 506.
• Georges Didi-Huberman, Atlas ou le gai savoir inquiet (Paris: Les éditions de minuit, 2011).

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